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Home FEATURES Damon Soule Interview

Damon Soule Interview
Written by Kid Yellow   
Wednesday, 17 August 2011 12:40
Damon Soule's third solo show Then What Happened opens @FFDG in San Francisco Saturday, August 20th (7-10pm). Gerald Anekwe swung by his studio a couple weeks back to see what he has brewing for his show.

San Francisco Art Institute graduate, Damon Soule's newest paintings take what he's been doing for years further into a mind bending reality. Beautiful.

You've had two solo shows with FFDG in the past, what are some of the things you are taking into consideration while working on this one?

FFDG is a small space, so it's a great place to put together a cohesive experience. That's all you really have to worry about.

How would you describe your work to someone?

Aw man, that's always hard. I usually just describe it as crazy paintings. If I was painting things that I could describe in a simple sound bite, I would be disappointed with myself.

All At Once - 66" x 74"

In addition to SF, you've lived in Portland and NYC. What are some of the things you've enjoyed about living and working in these cities?

NYC is great because you can always get something to eat nearby anytime of day. Portland is cool because people are relaxed and know how to have fun. No one'ss really trying very hard there which I find refreshing.

What brought you back to SF?

I love the community vibe in the Bay Area. It feels like things are really happening which I didn't get in NYC. That may be just my perception but since that's how I feel, I had to come back here. As far as I'm concerned SF rules! However, I like to keep it fresh and that means not getting too comfortable.

Second String - 24" x 36"

You've been exhibiting for over a decade, what would you say is the most important thing you've learned along the way?

Keep it personal and challenge yourself. If you get bored, flip it upside down. Life is short, so don't get stuck in a rut.

Can you describe your process of creating a painting?

I usually start off with a concept that is difficult to describe visually. This can be a scientific theory or some esoteric idea that can't be depicted in the usual way. From there, I just keep layering stuff until I feel it's done or I'm over it. I don't worry over perfection or getting it right, I just have faith something cool will happen. Whether it's a failure or a success, that isn't the most important factor for me.

Lengths Of Planck - 12 x 16

Are you working on any other projects?

Not at the moment but Iv'e always got a list of things I want to do. Once this show is hung, I will jump right into another project. There are always more ideas than time, so you have to choose your battles carefully. I like to have several things going on at once, but not get overwhelmed with too many things I can't possibly finish. I'm also hesitant to talk about things I haven't started working on yet because I don't want to make promises to myself I won't keep.

I was introduced to your work through the Further collective you are a part of, are there any advantages or disadvantages to being in the group?

There usually isn't a disadvantage to being part of a group. Social groups evolved because they are inherently advantageous. I really love painting with those guys, and I learn more painting with them in a week than I ever got out of school or years in the studio.

Stripes And Stuff - 18 x 24

How long does it usually take you to finish a painting?

It really depends on the scope of the piece. It can be a few days or four months.

In the most ideal circumstances, what would you hope the viewer walks away with from your work?

Just the sense of wonder I get when I'm examining the world through different types of lenses.

Video by Merlin Jackson

Then What Happened
Paintings by Damon Soule
Opening reception: Sat, Aug 20th (7-10pm)
@FFDG
248 Fillmore St.
San Francisco, California USA

About Damon Soule
As a child Damon Soule (b. 1974) became so engrossed in his drawing that it became a distraction; at age 16 he dropped out of school opting for the immediacy of GED. At 19, with $300, a packed bag of clothes, and small box of art supplies, Damon moved to San Francisco, CA and enrolled in the Interdisciplinary Program at the San Francisco Art Institute.

In 1996 Soule became the Art Director and Co-founder of FIT skateboards and Civilian Clothing. After art directing the brands for a number of years, he sold his portion of the business to pursue art full-time.

Soule's paintings and drawings have been featured in group exhibitions in San Francisco at 111 Minna Gallery, White Walls, Punch Gallery, Southern Exposure Gallery, Rizzoli Gallery, Culture Cache, New Langton Arts (I Dart SF, 2003) and Yerba Buena Center for the Arts (Outside Art, 2002). Recent shows also include New Works by Oliver Vernon and Damon Soule at BLVD Gallery, Seattle (2007); Green Art Exhibition at Robert Berman Gallery, Santa Monica (2007); and Stories From the Wonderland at Dorothy Circus Gallery, Rome, Italy (2008).

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